i wonder what it might be to choreograph EACH frame for the camera? To storyboard the projects and then shoot them? So different from what might be called a “shot-gun” approach to microFilm making in which a bit of material is shot and then recontextualised through a two second temporal frame.
[…] finally got some footage of simon to be able to add him to the growing archive of 2 second films. in cutting the film i was keen to see what effect adding audio could have – based on the effectiveness of the audio in the last one i made. so i went for something a little funny – funny ha ha not funny odd. […]
July 17th, 2006 at 3:47 pm
i wonder what it might be to choreograph EACH frame for the camera? To storyboard the projects and then shoot them? So different from what might be called a “shot-gun” approach to microFilm making in which a bit of material is shot and then recontextualised through a two second temporal frame.
July 18th, 2006 at 1:15 pm
[…] finally got some footage of simon to be able to add him to the growing archive of 2 second films. in cutting the film i was keen to see what effect adding audio could have – based on the effectiveness of the audio in the last one i made. so i went for something a little funny – funny ha ha not funny odd. […]